Nicole Steinberg recently received her Ph.D. in musicology from the University of Maryland, College Park. She teaches as an adjunct professor at both University of Maryland, College Park, and Towson University. Her dissertation research examines Mieczyslaw Weinberg’s 1968 Holocaust opera The Passenger within trauma studies, moral responsibility and memorialization frameworks. She was awarded the Mary Savage Snouffer Dissertation Fellowship for the 2024-2025 academic year by the University of Maryland College of Arts and Humanities. Steinberg has given lectures at various Maryland organizations surrounding opera and Holocaust commemoration, and presented papers at conferences of the American Musicological Society, the Society on Music Since 1900, the International Network of Genocide Scholars, the National WWII Museum, the European Studies Conference, the Society for Ethnomusicology Annual International Conference, the Capital Chapter of the American Musicological Society, and the Mid-Atlantic Chapter of the Society for Ethnomusicology. Steinberg has forthcoming publications with the Opera Journal and the Oxford Handbook of Music, Sound and Trauma.

Steinberg served as the Director of Operations and Media at Opera Baltimore from 2018-2023 where she managed the company’s finances, data analysis, patron relations, marketing, and social media development. During her five-year tenure, she helped Opera Baltimore grow from a small budget non-profit to a million-dollar budget arts organization. Steinberg continues to work with Opera Baltimore on special projects. Currently, she serves as the Cultural Programs Coordinator and project lead of Voices in Solidarity: Baltimore’s Black and Jewish Operatic History, in partnership with the Reginald F. Lewis Museum of Maryland African American History & Culture and the Jewish Museum of Maryland, generously supported by a grant from the Maryland Heritage Area Authority. Jonestown’s transformation from a Jewish immigrant hub to a predominantly Black neighborhood reflects Baltimore’s history of migration, displacement, and resilience, with both communities continuously facing discrimination while shaping the city’s cultural and artistic landscape. Voices in Solidarity aims to use this historically rich setting to bridge divides through music, learning, and conversation, making Jonestown an essential backdrop for place-based storytelling and reconciliation.

Prior to her musicological research and administrative work, Nicole had come from a performance background, receiving a Master of Music in Voice Performance from Towson University in 2018 and a Bachelor of Music from the University of Miami in 2016. She spent the early portion of her career performing various soprano roles with institutions and festivals including Towson University (2016-2018), the Hawaii Performing Arts Festival (2018), New York Lyric Opera Theatre (2016), the Miami Summer Music Festival (2015), and the University of Maryland Frost School of Music (2012-2016).